Andrew Funk, Bass

Donizetti: Lucia di Lammermoor

“Bass Andrew Funk was well-cast as Raimondo. In his debut with the company, Funk sang with a rich, warm voice. His scene with chorus at the beginning of the third act was a high point of the performance. Funk was a solid presence in what is often an overlooked role.” The Virginian-Pilot

Verdi: Le trouvère

“Basso Andrew Funk showed a fresh, firm tone and good stage presence as Fernand.” L’Opera ( Milan)

“Bass Andrew Funk posed a commanding Fernand… Funk’s reverberant bass carries interest as well.” The Longboat Observer, FL

“Andrew Funk was a sonorous Fernand.” Opera News

Tchaikovsky: Eugene Onegin

“Andrew Funk sang an appealing Gremin.” John von Rhein, Chicago Tribune

Glass: Galileo Galilei

“Andrew Funk, sang robustly as Pope Urban VIII and Cardinal Barberini.” John von Rhein, Chicago Tribune

“Andrew Funk also made strong contributions as the Pope (and in several smaller roles).”Allan Kozinn,The New York Times

Puccini: La Bohème

“Andrew Funk as Colline had wonderful vocal presence.” The Santa Barbara Independent

“In the basso role of Colline, Andrew Funk’s performance of the “Vecchia zimarra, senti” aria earned spontaneous applause.” The Santa-Barbara News-Press

Prokofiev: L’amour des trois oranges

“Andrew Funk was a stentorian king.”

Anthony Tomassini, The New York Times

Beethoven: Fidelio

“Andrew Funk was able to let his rich bass voice out as Rocco, the jailer.” The Stamford Advocate

“Andrew Funk was in fine voice as Rocco.” Connecticut Post

Rossini: Il barbiere di Siviglia

“Funk’s ample bass showed him to be in much better vocal health than most Basilios I’ve heard.

I eagerly anticipate hearing Funk singing a bigger bass role full out.” The Stamford Advocate